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    Make way for GADGETS Magazine’s Mobility Issue!

    MAY-2013-[lowres]

    Time to hit the road, folks!

    This month, flip through the tale of how we took our gadgets out of the comforts of our cozy office and brought them along with us on our little adventure to Subic. We camped with them, got them wet (just the ones that were waterproof, of course), and partied on the beach with them, too! Read about how these devices were able to buck us up for an awesome time on the road.

    In this month’s Music Corner, we offer you some tips on how to take your music with you when you’re on the road, including what you need to bring and what you should keep in mind. In Home, you’ll learn about how you can leave your house for a couple of days without worrying about break-ins and other risks with a simple security system setup.

    On top of it all, we give you a glimpse of what went down during the Manila International Auto Show 2013 and the Bangkok Motor Show in our Mobility section. We also look back on the automobile that started it all—the Ford Model T—in this month’s Relic.

    Our monthly gadget reviews are still ever-present, as well as our Tech Parade, where you can find the hottest tech toys to hit today’s market.

    Pinoy-Swiss racing sensation and Tattoo ambassador Marlon Stockinger mans up our Mobility Issue, being the first male to pose solo on a Gadgets cover. In our exclusive interview, Marlon tells us why speed is crucial to him not just on the race track, but also in his mobile lifestyle.

    Grab a copy of Gadgets Magazine’s Mobility Issue at your leading bookstores!

    Smart celebrates Living More with the Smart Move Party

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    Smart recently held the Smart Move party at the Opus Restaurant and Lounge in Resorts World, Manila. The event was an exclusive gathering for loyal clients and new subscribers that have moved up from their former mobile service providers and have embraced Smart’s “Living More” mantra.

    Hosts Marc Nelson and Sarah Meier welcomed guests to the evening’s festivities and asked Smart’s celebrity ambassadors, such as Anne Curtis and Ramon Bautista, to share what they love about being with Smart. They were later joined by Smart’s Executive Vice President and head of the Wireless Consumer Division, Noel Lorenzana. Lorenzana talked about the origins of the award-winning “Live More” campaign of the company’s dependable and top-notch services provided by the network.

    “When you’re struggling with your wireless services—a missed call, a late message, slow Internet—you’re losing time that you can’t get back. You’re literally losing a part of your life,” Lorenzana explained. “Now when your provider is able to give you the service you need, service that is both timely and dependable, you also get more time to enjoy life. You actually get to Live More.”

    Three special guests also gave their testimony about making the Smart Move. Fashion blogger Ingrid Go of the Bag Hag Diaries, lawyer Rod Nepomuceno of PR firm Big Big Big, and entrepreneur Cristalle Belo-Henares of the Belo Medical Group all talked about their experience with Smart as well, saying that their online experiences have improved with Smart’s reliable wireless service and high-speed Internet connection.

    Guests also experienced Smart’s technology firsthand, with demo stations around the area that showcased their blazing fast LTE speeds that are made possible by having four times the fiber power compared to the competition.

    A champagne parade soon followed, leading to a toast to Living More by PLDT Chairman Manny V. “MVP” Pangilinan along with Smart’s Chief Wireless Adviser Doy Vea and PLDT Technology Group Head Olan Pena. After MVP and Smart’s top endorsers raised their glasses, everyone at the affair gave their applause for Smart.

    The program eventually came to a close, but the party was far from over as DJ Callum David rocked the night away with his set. Some of the many celebrities spotted at the event were celebrity siblings Anne and Jasmine Curtis, Maxene and Elmo Magalona, Rico Blanco, Billy Crawford, Vhong Navarro, Champ Lui Pio, Jinri Park, and Bianca King. Other celebrities that were also at the event included Veronica Mendez, Louie Ysmael, entrepreneurs Piku Uttamchandani, Eric Cua, GP Reyes, designers Nicole Whisenhunt and Martin Bautista, and football stars and siblings Phil and James Younghusband.

    The evening was a testament to how subscribing to Smart is a Smart Move, and the inclination to Live More has never been stronger, especially with Smart’s services.

    Gaming: The Banner Saga Factions

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    The game is free-to-play, so you can pick it up and jump right in if you have a Steam account and the Steam client installed. One of the big pluses to
    this game is its well-crafted animation. Stoic is an indie studio and isn’t a big developer like EA, Blizzard or Nintendo, all of which have the budget to hire the best animators and artists, so the big budget to make a stunning visual game wasn’t present, and for what they had, they did an amazing job. Kickstarter and Steam Greenlight have allowed gaming projects from smaller studios and developers to come to light, which allows us to see new and unique games that give us a break from the mainstream games that come our way every year from the big boys.

    The Banner Saga: Factions is multiplayer-only, aside from the tutorial. You start with four classes, the Shieldbanger, a tank-like unit; the Archer, a ranged unit, the Raider, a melee unit, and the Warrior, another melee unit. You play six of your characters at a time, and can upgrade the initial four classes as you gain more renown, which is the currency of the game. As a free-to-play game, the only ways to gain renown is by playing a lot of matches or purchasing renown through the store with real money.

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    Most turn-based RPGs are fought on a tile board resembling a chess game, and Factions is no exception. The player alternates turns with their opponent
    back and forth. Each unit has two statistics: armor and strength. You can attack a unit’s armor, which makes it more vulnerable to future attacks; or you can attack its strength, which is essentially the unit’s life force. Some units have the ability to attack both armor and strength. Another stat is willpower, which can be used to move extra tiles beyond your normal move range or used to hit harder-although it should be used sparingly as you only have a limited amount of willpower each match. However, you can gain back some willpower by using the rest command, but it will cost a turn. Other than moving, attacking, and a unit’s special move, there really isn’t much in the way of unit customization. You can also adjust a unit’s statistics, but you probably shouldn’t if you’re new to the game.

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    If you kill an enemy unit, you gain one renown, which will help you unlock unit upgrades. Units need five kills to reach the next level, and then another 50 renown to unlock the next level. This caps renown at six per battle, which means it takes a very long time to get a formidable team going. However,  you can enter a tournament where the overall winner will get 200 renown. The tournament costs 20 renown to join, however, so you will have to play and win at least four complete games without losing a single unit just to enter.

    The matchmaking system could also use some work. For example, I had only one rank one unit (all units start at rank zero) and I faced an entire team with all rank one units, which indicates the most careful planning can and will be beaten by the matchmaking system and your own bad luck as well. If you have friends that also have this game, you’ll probably be better off playing against them instead of racking up losses if the matchmaking system really decides to pull a fast one on you. To get really good at this game, you will need to play, play, and play some more. You might even need to pay some more as well, to get the renown to acquire the best units if you really want to beat the best opponents early on. Essentially, it follows the pay-to-win model that many hardcore garners criticize.

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    The Banner Saga: Factions isn’t a bad game, but it is a massive time sink, and you’d be better off just waiting for the full release of the game. It is one of those games with beautiful graphics, but the rest of the game just doesn’t quite live up to the stunning visuals. If you’re a patient person and are a fan of
    turn-based strategy games, however, you’ll enjoy investing the time and effort. Although it might not be a hit with your non-gamer friends, it could be considered a solid variation of chess.

    First published in Gadgets Magazine, April 2013

    Words by Jose Alvarez

    Bullet Points: Homework

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    The gun ban is in full effect here in the Philippines, and countless numbers of us firearms lovers are stuck doing
    other things to stay distracted. People I know have resorted to golf, tennis, running and cycling all in lieu of range
    time, and while there are all very relevant distractions that are great for your health and sanity, these don’t carry the
    same weight as staying sharp with your firearm. Remember, shooting well takes considerable effort, and as with
    many things that take much effort to learn, it is a perishable skill. A lot of your skills can evaporate in a short amount
    of time, and the six month gun ban is by no stretch of the imagination a short time.

    Taking the time to travel to a range for training is one of the best ways to develop and retain skills, but since this is not an option, the shooter, particularly the one who carries or intends to carry, must find alternatives. There are quite a few options available, and a few of these training methods done together will go a long way in slowing the depreciation of shooting skills. These drills are primarily aimed at pistol shooters, though there is little reason not to use the same or similar drills with a rifle.

    First off, though, there is the very important matter of safety. The point behind these exercises is to avoid having to take the firearm outside of the house, since it is, for the duration of the ban, illegal. This means that the drills in question will have to be done at home. While no place is nice to have an accidental discharge, the home is probably one of the places we would most like to avoid an AD. Be smart. The four firearms safety rules are always in play, and Fort Living Room is no exception. Once the firearm is checked and made safe, lock your ammo up in a safe container and a different room entirely. Rounds have a funny way of finding themselves back in a weapon, and we will be pulling the trigger a lot. You have been warned. Also, make
    sure the people at home know what is going on. While you know your firearm is safe, it may be likely others in your household don’t. It can be pretty freaky to walk into a room and see a drawn weapon, so be considerate. Once you have the ammo secured and in another location, check the weapon again. There is never a time to be careless; at home, with a firearm least of all. Once you’re all safe, pick your favorite drill, and get to it. For the purposes of this article (and due to the gun ban) we decided to use an airsoft pistol that was checked, and ensured clear. There should be no practical difference between this and a real steel pistol.

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    One crucial thing upon which accurate, fast shots hinge is the draw. With your usual carry gear, practice your draw as smoothly as possible. Focus on
    smoothness first. once you have the motion down pat, speed will follow naturally. You all know the drill: move the support hand to the center of your
    body (or use it to move clothing out of the way) while establishing a positive high-tang grip on the firearm. If it doesn’t feel right, reset and do it again. You might even want to include a bit of a startle response to emulate a time-is-life situation. Disable any active retention devices present, pull the weapon sharply clear of the holster, disengage the safety as you are punching out, establish a good support hand grip, get your sight alignment and sight picture right, using a target or something on a far wall, and if you want, break the shot. Lather, rinse, repeat until you start getting sloppy, then fix your errors.

    Another excellent form of practice one can do at home is dry-firing. Now, I know there is a lot of debate out there as to whether or not dry-firing is bad for a pistol (it really isn’t, at least for centerfire handguns), so if it makes you feel better, you can use snap caps. Some people use fired shells for the same purpose, but (this is just me) there is that off chance that the piece of brass you saw in the pipe and thought was inert was actually a live round. Why take the risk? Snapcaps or an empty chamber is probably a better idea. Go straight to establishing a proper firing grip as before, with the proper sight picture and sight alignment, and break the shot. Depending on your range, you can do either a hard or soft focus on the front sight, it’s good to train for both eventualities; there is a place for each. Pay particular attention to finger placement on the trigger, breathing, and breaking the shot clean, without flinching. Reset, and repeat.

    Next up is a skill that takes a lot of dexterity, is usually not practiced enough with the necessary urgency, and is hopefully something you won’t get to in an actual firefight: speed reloads. This is, admittedly, not one of the most fun things to do with a handgun, but if it comes to this in a firefight, you’d better be able to do it quickly, without fumbling. Snapcaps are going to be very helpful here, as reloaddrills without them will just leave you at slide lock. You will also need at least two magazines and a soft surface, maybe a thick carpet or pillow, so you don’t ruin your mags or floor. Insert your empty magazine, rack the slide and keep it locked back. Re-establish your proper firing grip, and in imagination land, visualize that you have just run out of ammo. You should know what to do from here.

    Break your grip, move your support hand to your body, then to a fresh source of ammo while dumping the empty magazine and canting the pistol slightly. Gas up the pistol with the second, snapcap-loaded magazine, slowing down just a bit and keeping your eyes on the magwell when you get close, power stroke the slide, re-establish your grip, sight alignment and sight picture, breathe, and break the shot. Again, focus on getting that done as smoothly and fluidly as possible. You’ll just naturally get faster, I promise. Make sure you keep all the action in front of you so you can keep your eyes downrange. Repeat.

    Tactical reloads are also a great thing to practice. From a proper presentation of the pistol, decide to do a tac reload, break your grip and bring the gun into your workspace, and grab a new magazine from the last magazine pouch on your person. Pinch the fresh mag with your forefinger, thumb, and the meat of your hand, and release the partially spent one into the remaining space of your palm, kept in place with the rest of your fingers. Insert the fresh mag, seating it firmly.

    Return the partial mag into the last magazine pouch, and re-establish your grip. Don’t forget get into the habit of looking around you afterwards and during the process. It takes some practice to get this process down, and if you are having trouble, you can isolate the releasing the partially spent mag, and seating the fresh one until you can do it flawlessly, then re-incorporate the rest of the drill after.

    One last thing. This period is one where a lot of guns get thrown into a safe and forgotten. Take the time to maintain your weapon. Clean it, take it apart, lube it and store it properly. This process will not only make sure your weapon will function properly once the gun ban lapses, it will also leave you more familiar with the weapon, and more comfortable with handling it.

    These are just a few of the drills available to the grounded firearms owner. This set should hopefully be enough to keep you from getting too rusty as the gun ban months roll by, and let you be in, or close to, fighting form when you head back to the range. Remember, safety is always the first concern. If you feel something is off, stop, recheck, and resets. Stay safe and stay sharp. We’ll see you again in a month.

    First published in Gadgets Magazine, April 2013

    Words by Ren Alcantara

    Photos by Benedict Asal

    Relic: The History of Photography

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    The saying goes,”A picture is worth a thousand words: ‘That means in every photograph, there is a story being told and something to interpret. Storytelling through images has been around since the dawn of humankind, and in conjunction with written text, images have been used to pass down stories from generation to generation. Images have been around for thousands of years, but photographs, although relatively younger, are just as powerful as the images.

    The production of images was made a lot easier with photography, but it would take centuries before photography as we know it today would surface. The Chinese and the Greeks described the pinhole camera as early as between the fifth and fourth century BC, and the Byzantines experimented with a crude prototype of the camera obscura in the sixth century AD. The Arabs further developed the idea of both the camera obscura and the pinhole camera throughout the late 1 Qth and early 11th centuries.

    A major breakthrough came through Albertus Magnus (more famously known as the teacher of major Catholic theologian and Doctor of the Church St. Thomas Aquinas), who discovered silver nitrate, one of the biggest ingredients in early photography. Silver nitrate was used in making photographic film by treating it with halide salts of sodium or potassium to form the insoluble silver halide, which was then applied to strips of tri-acetate or polyester. Georges Fabricius then discovered silver chloride in the 16th century, and Daniel Barbaro described the diaphragm (which prevents the passage of light aside from that in the aperture in its center) in the 16th century as well. Wilhelm Homberg described the photochemical effect (how light darkened some chemicals) in the 17th century, and a novel, Giphantie, by Tiphaigne de Ia Roche, which had a passage that described the modern day process of photography by the 18th century. So, in essence, photography was gradually being “invented” over the centuries.

    By 1790, Thomas Wedgwood put it all together, although the term “photography” would not be used for another 50 years. He was the first person to think of and develop a method to copy visible images chemically to produce a photograph. He would chemically stain an object’s silhouette to paper by coating the paper with silver nitrate and then expose the paper, object side up, to natural light, and then preserve it in a dark room. Since it was repeatable, the mass production of photographs was possible as early as the late 18th century, and thus, Wedgwood became the first “photographer.”

    Many newspapers caught on to Wedgwood’s process, and other chemists and scientists sought to improve on his work. By the 1820s, Joseph
    Nicephore Niepce was able to capture images formed in a camera. His attempt to use paper and silver chloride in the 1810s failed because he was unable to prevent the coating from darkening all over when exposed to light for viewing, and thus abandoned the more popular silver compounds being used in photography at the time. He produced the photograph on a polished pewter plate. Instead of using silver nitrate, he used bitumen, a naturally occurring petroleum tar, and dissolved it in white petroleum, applied it to the surface of the plate and allowed it to set before use.

    However, the process took anywhere between eight hours and several days, and to get an image, a solvent had to be applied to remove the unhardened part of the bitumen, and then to see the image plainly, the plate had to be lit and viewed so that the bare metal was dark and the bitumen was light.

    He collaborated with another well-known name in photography, Louis Daguerre, to reduce the exposure times to hours instead of days, but Niepce died in 1833, leaving Daguerre to continue his work. Daguerre went back to the silver-based compounds that Niepce disregarded, and experimented with photographing camera images directly onto a silver-surfaced plate fumed with iodine vapor, thus forming silver iodide, but the exposure times were still way too long. Daguerre then allegedly solved this problem by making an important discovery-that an invisibly faint latent image on a silver-surfaced plate could be “developed” via mercury fumes, which brought exposure time down to mere minutes, and then a hot solution of common salt could then stabilize or fix the image by removing the remaining silver iodide. Daguerre brought his idea to the French Academy of Sciences, and the first instructions on photography were published in 1839, and his photos were thus known as daguerreotypes. William Henry Fox Talbot and John Herschel (who coined the term “photography” itself) also developed their own solutions. Instead of using Daguerre’s hot salt water solvent, Talbot substituted it for hyposulfite of soda (sodium thiosulfate) to dissolve the silver salts, and Daguerre also began to use it. Calotypes, however, also lacked fine clarity because  of its translucent paper negative, but was seen as a good thing for portraits, softening the appearance of the human face. However, in an unprecedented move, Talbot patented his process, which resulted in numerous lawsuits until he gave up on photography.

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    Although there were many attempts to make photography quicker and as hassle-free as possible, the daguerreotype remained the photography
    method of choice until 1884, when George Eastman developed dry gel on paper, otherwise known as film, to replace the photographic plates and toxic chemicals that photographers had to carry around. In 1888, the camera as we know it was finally “invented” after years of experimentation and hard work. Eastman’s Kodak camera went on the market in 1888 with the slogan “You press the button, we do the rest.”The Kodak Brownie came into the market in 1901, and it was known as the first popular camera, so that anyone who was interested in photography could buy a camera and do it.

    By the 20’h century, photography was developing as an industry and commercial service. Color photography also developed side by side with
    photography itself, but it met dead ends everywhere because many of the solutions were impractical or even impossible, as the experiments often resulted in temporary color, not permanent as they were intended to be. Kodak, who invented the first popular camera, also invented the first
    popular color film, the Kodachrome, the brainchild of Leopold Mannes and Leopold Godowsky, Jr. The two were classical musicians who ended up working for Kodak’s Research Laboratories. Kodachrome had three layers representing the three additive primaries: red, green, and blue. However, the processing was rather complicated: as each layer was developed into a black-and-white silver image, a dye coupler caused a cyan, magenta or yellow dye image to be created along with it. The silver images were then removed, leaving only the three layers of dye images in the finished film.

    Even as late as the 1950s, black-and-white snapshots were still the norm, but by the 1960s, as technology began to advance, color photos were
    beginning to replace black-and-white ones, and by the 1970s, they were the preferred norm. Instant color film also came via Polaroid in the 1960s.

    Digital cameras also came onto the scene in the 1970s. The megapixel sensor was also invented by Kodak in 1986, but the ability to record them as a computerized file like most digital cameras can do nowadays (and thus do away with traditional film) came in the Fuji DS-1 P of 1988, which
    had 16MB of internal memory. The JPEG and MPEG standards were also invented in the same year. The Kodak DCS-1 00 was one of the most important digital cameras as it had a 1.3 mega pixel sensor, but it cost USD 13,000, putting it far out of the reach of the consumer market. The first to have a LCD on the back was the Casio QV-1 0 in 1995, the first to also be able to record video, the Ricoh RDC-1, also came out in 1995, and the first to use CompactFiash was the Kodak DC-25 in 1996. Digital cameras were still out of reach for the consumer market, but by 2002, mega pixel and 2 mega pixel cameras were going for less than USD 1 00.

    Traditional film essentially was killed off In the 2000s, with digital point-and- shoot and DSLR cameras taking center stage. The rise of digital cameras also meant changes in the companies that produced cameras. Most notably, Kodak, the company which invented the first popular consumer camera, the first color film, and the mega pixel sensor, eventually went under, and even filed for bankruptcy in 2012, namely because Kodak did not adjust as quickly to digital photography as their competition did. Nowadays, photography is readily available to anyone, with other devices integrating a camera into it, such as laptops, tablets and smartphones. The rise of photo sharing sites such as Facebook, Flickr. Picasa, lnstagram and Photobucket all allow people to share their photos with their friends and relatives, and some cameras even allow you to instantly share photos that you just took.

    The history of photography was a long and tedious process, but photography eventually grew into one of the biggest hobbies in the world, and also helped make it into a lucrative profession as well. If a picture is worth a thousand words, we have infinite opportunities to describe the world around us using a camera.

    First published in Gadgets Magazine, April 2013

    Words by Jose Alvarez

     

     

    Snapshots: Size Matters

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    An image sensor is found in all digital cameras, whether it’s built into a smartphone or inside a bulky DSLR.It is the digital equivalent of film on an analog camera, and like film, it is a specification that you cannot change or tweak. A sensor contains photosensitive diodes that record light or photons. It transforms them into an electrical signal that displays color, tone, highlight and shadow, and stores the recorded light data as a set of numbers that correspond to pixels. Pixels come together to form a single photo, ultimately creating a digital image file.

    There are two general types of sensors: charge-coupled device (CCD) and complementary metal-oxide-semiconductor (CMOS). Most digital cameras
    make use of CMOS sensors, but they vary in size. We have full-frame sensors, which are as big as a single frame of 35mm film, employing the 24x36mm
    format. This kind of sensor produces smooth, vibrant, high-quality images, which is why they are usually equipped in pro-level DSLRs that come at a
    steep price.

    Micro four-thirds cameras have sensors that measure 13×17.3mm-nearly half as big as the size of a full-frame sensor-packed into a compact body.
    This is possible because micro four-thirds cameras do not make use of a reflex mirror that can be found in DSLRs. Smaller cameras-particularly pointand
    shoot models-have smaller sensors, delivering both portability and affordability.

    Now we go back to our main point: sensor size matters. It isn’t always about how many mega pixels you’ve got in your camera, it’s whether your sensor is able to accommodate the number of mega pixels. Simply put, a small camera does not have room for a large sensor. So if you’ve got a small point-andshoot camera with 16-megapixels, that means 16 million little pixels are crammed into a tiny image sensor, thereby depleting image quality, low light performance and dynamic range.

    Full-frame sensors also feature no crop factor. We’ll save the lengthy explanation of crop factor for some other issue, but the gist is that the amount of cropping depends on how big your sensor is. This means that if you have a small sensor, your image appears cropped-as if you’ve zoomed
    into the scene, even if you haven’t. The quality of the image is greatly reduced because of the lack of detail within images taken by cameras with small sensors.

    The principle is this: the larger the sensor, the more information it can store. The ‘information’ being referred to here are the intricate details in a digital
    image. Images that look sharp on screen may not be as sharp when you print them out. Whether or not the details are clearly defined can be evidently
    seen on print (or if you zoom in on the image in Photoshop). Print the image out-blow it up if you have to-and observe the details ofthe image, particularly the shadows. You’ll see that the details are pretty fuzzy and are plagued with digital noise.

    Digital noise is the modern day equivalent of grain in film, prominently found in dark sections and single-toned areas of your image. It normally shows up when you crank the ISO of your camera over 800.1fyou’re not familiar with the whole concept of ISO, here’s how it works: when you increase the value of your ISO, you increase the sensitivity of your sensor to light. The advantage of having a large sensor is that it acquires less noise, even at higher ISO settings. The reason behind this is because the photosites have enough space to be further apart, so there is less contamination of electrical signals. What happens to the images, then? Even if you increase the level of your ISO, the camera will still be able to produce smooth, rich, high quality images with better gradation.

    Having a large sensor expands the range of light the camera is able to capture, thus optimizing the device’s performance in low-light conditions. It also increases the camera’s dynamic range. Dynamic range is basically the measurement of the range from highlight to shadow. Ultimately, the more range the sensor has, the better quality your images will have.

    Knowing the advantages and disadvantages of having large and small sensors will truly help you understand what your output is going to look like and how your camera will perform. If you’re serious about photography and are looking to buy a camera that will uphold your craft, being picky about details like image quality, digital noise levels, dynamic range and crop factor is definitely a good thing. Sure, cameras with large sensors are costly, but weigh the options; think about what going big on sensor size can do for you.

    First published in Gadgets Magazine, April 2013

    Words by Racine Anne Castro

    Music Corner: The Sound of Green

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    Music is meant to be shared. Sure, you can listen to music all alone with your fancy headphones that cover half your head, but once
    the track begins to pick up, and you feel like belting it, you have to set the music free. Over the years, mobile audio technology has
    given us many options by which to share music. We have external speakers, wireless receivers and built-in speakers, all of which work okay, but each with their individual shortcomings. Internal speakers almost always lack oomph and the slim and fat design of most portable electronics really don’t lend themselves to projecting sound; you need space for that. External speaks are nice, but usually require their own power source in order to function. Plus, all of these manufactured accessories take a lot of resources to mass produce, inherit the same short-ish lifespan of other electronics, and eventually have to be disposed of in a long, circuitous, time consuming manner. We need to share our music, but how can we do it with less, while getting the sound we want?

    Two friends from Cebu, Koh Onozawa and Franz Ignacio, an anthropologist and furniture designer, respectively, asked themselves that question, and with typical Filipino ingenuity, came up with an answer: the Loudbasstard. The initial concept came about in an unremarkable fashion. Franz, Koh, and Koh’s girlfriend were out, sharing a few drinks, when Julie MacGyvered a smartphone speaker booster from a cup to share their music.

    One thing led to another, and this enterprising duo combined their talents to design, manufacture and market a totally green, simple solution that was elegant, effective, and could be produced through means that empowered local communities.

    The concept couldn’t be simpler. Eschewing Julie’s original cup design, the duo hit the drawing board. Being well-versed in the intricacies of manufacturing with wood, Franz knew the best way to go about it was to create a product that needed little assembly, and so decided they would have to steer away from nails, which would add both cost and labor into the equation.

    Several prototypes were created, each with characteristics that they wanted, and some that needed changing. In the end, the pair went with bamboo: an easily-obtainable, cheap, renewable raw material that, when properly treated, can last forever. Through trial and error, they narrowed the design down to the product we see today, which gives a very balanced sound; neither too much, nor too little treble, and enough volume to fill a room, with the simple mechanics of a bamboo tube.

    The Loudbasstard is devilishly simple. It’s a bamboo tube, with rattan around the base, a slot in which a smartphone fits handily, an angled mouth, and cutouts on either side of a flattened bottom. This combination of internal volume, strategically-located grooves and a large front bounces the sound around nicely, giving a smartphone’s speaker a little meat behind it, focusing the direction of the sound, and letting it open up in a way that a flat speaker face just can’t do, all with materials you can grow in your back yard. The final product is organically treated to keep wood-eating creatures away, and cured to withstand our humid tropical weather.

    The device itself is effective to say the least. We expected to bump the sound quality of a mediocre phone to be tolerable, but once we popped it into the slot, it actually became pleasant. One can orient the speaker in different directions based on how the device is places into the slot, so you will need to do a little experimenting with the phone’s angle and facing to get the warm, loud sound you want. Some configurations are bassier or have greater treble than others, so if you favor one sound or the other, the Loudbasstard has you covered.

    Apart from the obvious benefits of using entirely sustainable materials that can be harvested and disposed of with as little environmental impact as possible, the Loudbasstard project empowers communities. The wealth of natural resources and skilled craftsmen in Cebu mans production not only brings revenue to the region in general, but to individuals the group trains and trusts to produce each unit. From the initial smartphone-in-a-cup concept, the Loudbasstard team now has distributors in Cebu, Manila and Mindanao, here in the Philippines, and overseas in Switzerland, Italy, and Canada. Their vision does not stop there, as they want this product and the marvel of Filipino design and ingenuity to reach all the corners of the globe.

    Parade: Lab Series Power Protector SPF 50 PA+++ Skin Care Product

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    Power Protector

     

    The Power Protector SPF SO is formulated for all skin types, is oil- and
    fragrance-free, and is non-acnegenic. It acts as a quick absorbing
    moisturizer that protects the skin by shielding it from the harmful effects
    of UVNUVB rays, and it even provides a strong sun protection factor of
    SO. It visibly evens skin tone and helps reduce discoloration in the skin.
    With the Power Brightening Serum Advanced, the Power Protector SPF SO
    can help target concentrated melanin and minimize the appearance of
    hyperpigmentation while it smoothens the skin. Ultimately, it hydrates and
    replenishes the skin to reduce dullness. The Power Protector SPF SO must be
    applied right before you head out and bask in the warm sun.

    PHP 3,200 (100ml)

    First Published in Gadgets Magazine, April 2013

    Parade: Lab Series BB Tinted Moisturizer SPF 35

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    BB Tinted Moisturizer SPF 35

     

    If you want to camouflage your skin’s imperfections, the BB Tinted
    Moisturizer that uses state-of-the-art Tagra technology is the way to go.
    It customizes its color to match all skin tones and gives you immediate
    noticeable results. To achieve speedy improvement, encapsulated pigment
    is released when the moisturizer is massaged into the skin. It then quickly
    dissolves and blends to give off a healthy glow. Apply it on your face daily
    when you wake up in the morning, through continued use, you’ll be able to
    enjoy long-term benefits. Such after-effects include tone smoothness, skin
    brightness, the reduction of skin redness, and the appearance of pores and
    wrinkles, giving you healthier- and tighter-looking skin. The SPF formulated
    Into the moisturizer protects your face from UVNUVB rays and various
    environmental aggressors that can cause skin to age quickly.

    PHP 2,300 (5Oml)

    First Published in Gadgets Magazine, April 2013

    Parade: MiLi Power Sunny Power Bank

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    Mili Power Sunny

    Touted as not just a battery, but a complete portable power solution, the Mili Power Sunny is ready to charge all your devices. Its 3100 mAh battery can provide enough juice for up to 17 hours of data, 24 hours of talk, and 68 hours of media such as music and videos. Its miniUSB port allows you to charge the Power Sunny through any device or a wall outlet, and its USB port can charge any phone or media device with an appropriate cable. It also has a LED power indicator so you can check the charge and not be caught with an empty battery. You can also check the power level of the Power Sunny with a press of a button.

    PHP 2,500

    First Published in Gadgets Magazine, April 2013

    Parade: Pentax Efina Digital Camera

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    Pentax efinaA stylish point-and-shoot camera for those nights out on the town or any other occasion involving your family and friends, comes in the form of the Pentax Efina. It comes with a 2.5-inch LCD screen and its 14-megapixel CCD sensor, coupled with 720p HD video recording, ensures a high image quality in the point-and-shoot category. If you need to get closer to your subject, the camera also comes with a 5x optical zoom feature. Are you still trying to learn the ins and outs of photography? The camera comes with 16 different scene modes and automatic face detection. The Pentax Efina is also extremely portable-it’s only 86 x 51 x 20mm, which means it can fit in anyone’s pocket.

    PHP4,290

    First Published in Gadgets Magazine, April 2013

    Parade: Pentax X-5 Digital Camera

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    Pentax X5

     

    Photography buffs will enjoy the Pentax X-5. Its 16-megapixel resolution and
    ability to shoot 1 080p video at 30fps will make sure that your photos and
    videos look good when you’re sharing them with your friends and family on
    the web, or if you want to print them out. The 26x optical zoom lets you get
    closer to your subject, and if you’re still a bit shaky with the camera or need
    to get a moving shot, image stabilization technology has you covered. It
    comes with an adjustable 3-inch LCD screen, and has an ISO range of 100 to
    6400.

    PHP 14,990

    First Published in Gadgets Magazine, April 2013

    Parade: Pentax K-5 II DSLR Camera

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    Pentax K-5 II

    The Pentax K-5 II is protected against all the elements-water, fog, snow,
    sand, dust, and more, allowing you to shoot in extreme conditions and
    making it useful for any type of photography you’re doing. Its durable build
    can also help it survive a few drops as well. The Pentax K-5 II comes equipped
    with a 16-megapixel CMOS sensor and has a body-based shake reduction
    stabilization system if you’re still trying to get the hang of photography. It has
    a new 11-point SAFOX X AF system that offers the widest EV focus range in its
    class. It has a scratch-resistant, 3-inch LCD screen and a wide sensitivity range
    of 80-51200 at an expanded range. Those who also take videos will be pleased
    to know it can shoot Full HD (1 080p) video at 25 frames per second (fps). Its
    1/8000 shutter speed can take pictures of the fastest actions without any blur
    as well. It has an HDMI port so you can view your photos and videos on an
    HDTV.

    PHP 57,990 (Body only)
    PHP 64,990 (18-SSmm WR)
    PHP 74,990 (18-135mm WR)

    First Published in Gadgets Magazine, April 2013

    Parade: Rapoo A3020 Wireless Portable Speaker

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    RapooThe Rapoo A3020 can work in either wired mode via the 3.5mm jack or in wireless mode via Bluetooth. You and your friends or family can enjoy 8-10 hours of continuous music playback, and it supports any device with at least Bluetooth 2.1 installed (both Android and iOS devices). It also automatically powers off when an audio signal is absent, which allows it to save battery. It only weighs 187g, so it is a speaker you can take on the go to any gathering you might have. It has a lithium battery that you can recharge via microUSB, so it can be plugged into a wall outlet or anything with an available USB port to top it up.

    First Published in Gadgets Magazine, April 2013

     

    Parade: Rapoo H6080 Foldable Headphones Bluetooth Headphone

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    Rapoo H6080

    The Rapoo H6080 is a headset solution for those who use the computer to talk to their friends or listen to music. Its Bluetooth 4.0 connectivity allows you to listen and talk from up to 10 meters away. You can accept or reject a call simply by saying “yes” or “no,” and its COM-n membrane vibrating technology delivers a clear and bright treble as well as deep and mellow bass. The headphones are also foldable, so you can take them wherever you go. It is compatible with Windows and Mac OS computers, as well as Android and iOS devices with the Bluetooth function.

    PHP 2,775

    First Published in Gadgets Magazine, April 2013